Tag Archives: mandala

Standing Rock Vigil

standing-rock

This piece of digital art was created from a close-up of the patterns on one of my turquoise pendants. It illustrates the power of water, the hidden energy and its importance in sustaining life on this planet.

I created this image as part of standing in solidarity today with those protestors at Standing Rock, Dakota, defending sacred land and clean water from the pollution of an oil pipeline through their wildlands.

I also wore a dress of green and black – green for the lushness of the earth, black for the dirt beneath the sacred land – as well as a larimar pendant (larimar is associated with water energy) and a light green turquoise pendant, again to represent the green of the land.

I also created an energy mandala with a base of a turquoise scarf for water; a green vase (again for water) filled with small stones from river beds and topped with rose petals and heart shapes for the love and support people around the world are sending the Sioux people defending their sacred territory.

In front of the green vase is a rain stick to invoke rain and cleansing of the area; in the centre is a Cave Pearl, formed when calcite drops onto the surface of water in caves and then drops to the bottom of the water as the calcite deposits form an ever heavier ball (these cave pearls are collected by Native Americans under licence). Behind the Cave Pearl is a crystal of chrysocolla, for me the rock of the goddess Aphrodite who rose from the sea south of the island of Cyprus where I live.

The Cave Pearl is standing on a photo of a bison to celebrate and acknowledge the sudden and unexpected arrival of a herd of bison at Standing Rock. On the left corner is a Peruvian turquoise stone with the rune marking Kano, representing opening/new opportunities; on the right-hand corner is a fossilised whale inner ear bone to represent the energies of the seas from time immemorial to time immemorial.

At each side of the cave pearl are rune stones, collected from a magical cove on the north-east coast of Scotland and full of Fae energy. I painted the runes myself and on the left, top to bottom, are: Uruz for strength; Peorth for initiation, the unknown; Algiz for protection. on the right are: Kano, for opening, opportunity; Dagaz for breakthrough, and Teiwaz, warrior.

standing-rock-energy-mandalaI also created an additional image for the energy mandala, it felt like it represented the undercurrents of what is happening, and the magic supporting the protestors, even if it isn’t immediately visible.

standing-rock-energy-mandala-1

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MORE ON THE ARTY-FARTY STUFF (11)

I was stuck up Mt French  with my leg in a cast for six weeks, as the broken bones were slow to heal, much to my disgust.  I wanted my leg to be healed YESTERDAY! I used to phone my friend in Perth and she said she could hear my impatience burning down the wires. Unfortunately, impatience didn’t get me anywhere except feeling extremely frustrated.

When I had the cast off and put my weight on my right foot for the first time, it felt like I was walking on glass.  It took quite a while before I could abandon the crutches altogether but I still had trouble with a recurring infection around the cut where my leg had been set and a metal plate put in place. I was not in good shape, got tired easily, my foot would swell in the evenings, and I had to rest a lot.

Colours of JoySo I kept drawing mandalas.  I used the technique taught at the workshop in Brisbane which was based on creating shaded white symbols on black cardboard, and then a layer of colours over the white, the idea being that you could show light shining through each symbol in the mandala.

As I got more mobile, I also started teaching mandala workshops in small groups. I have to say, looking back, that I jumped in the deep end with teaching. Prior to teaching mandalas,  I had started practising Reiki and reflexology in Yvonne’s clinic, as she had bought a house with an area attached she was able to use as a clinic.  But learning Reiki 3 really opened the door to my expanding the courses I taught.

A friend was going to attend a Reiki 3 course but it fell through for her so I phoned the Reiki Master to see if I could take her place.  I told her I had no money and would pay her when I could and she immediately agreed.  Another miracle and step forward in my life.  I had an absolutely wonderful weekend, very intensive but very rewarding.

There were only two of us so we had very personal and intense instruction. On the second day we were taught an advanced healing technique where we looked inside people and worked with whatever we saw or felt. It was a form of psychic healing where you tuned into the emotional and spiritual energies of a person to sense what was required at those levels for healing to happen. It’s not an everyday occurrence. You would only do this form of healing with someone’s permission and when they had themselves done enough work on themselves to be able to participate in the whole process. So it’s not for complete beginners.Reiki-Principles

We were to be intuitive in our approach, our Reiki Master said. I was instantly alarmed – intuitive? Me? But something amazing happened.  I saw exactly what needed to be done – it was quite different from acting as a channel in Reiki healing, more interventionist but at a psychic, spiritual level as I’ve described above. And for me it involved symbols which of course flowed for me as I love symbolic work. I remember describing the images to the other person doing the course with me, and knowing that I had to stop at a particular stage because he had to do the rest of the work.

And then out of nowhere came all sorts of knowledge flooding in which I passed on and now have no idea what I said. Of course I wouldn’t repeat it, if I could, as it’s private and personal to the person concerned. But I do know I felt stunned and he looked stunned. He stared at me for a moment, then stomped off to the bathroom and shut himself in.  I really thought I’d blown it, but my Reiki Master looked amused and reassured me that I’d tuned in correctly and that I’d done the right thing in the whole healing process. It was a heck of a relief, I can tell you!

I’ve gone through a process of pooh-poohing Reiki a bit over they years, but now I’ve come full circle because I’ve seen it lead to miracles.  For some it relates to spiritual, mental, emotional or physical healing. For others, it opens pathways to personal growth and heading in completely different directions. For me, it opened up the whole process of teaching. While we were still living up Mt French, I had opened a healing centre in Yvonne’s clinic premises when she bought a new house and started working from home.  I started off doing Reiki and reflexology, something I’d learned back in Perth.  But one day I thought I’d like to start teaching a course in colour, energies and healing.

I have no idea where this proposition came from but, as they say, it seemed a good idea at the time. I set up a billboard in the main street of Boonah, but then nearly had a nervous breakdown when someone appeared to say they wanted to attend.  I must have looked like a headless chicken running around when the guy signed up, but it must have been meant to be because I met another lady shortly afterwards who also wanted to take part. I found I really enjoyed teaching.  I was a good communicator and was able to sort out my ideas and get them through to people.Dream Big

 I also find it interesting that, if you’re heading in a direction which meets your life purpose, you’ll get help along the way.  I started off with two people in my first class and I continued to do the odd class on chakras and creative visualisation with just two people but it expanded when we moved down off the mountain to the centre of Boonah.

One day I got hold of a book about focusing on your goals, and happened to mention it to a friend that I’d like to teach it. She said she’d like to take part, spread the world and, lo and behold, within a matter of weeks a group of seven had got together to work our way through the book.  With me as the teacher.

I must admit that the first time I looked up and saw six faces looking back at me waiting for me to take the lead I nearly had a nervous breakdown.  I felt quite inadequate, but took a deep breath and ploughed on.  We had a ball and I discovered that I had a knack for creative visualisation and tuning into people as they described what they’d seen, heard or sensed.

We all have different ways of using our senses so some might find creative visualisation very easy and images popping up without difficulty.  I know the first time I was able to visualise very clearly during a guided visualisation I felt my self-confidence go sky-high. I never realised I had that ability.  My visual sense is very important for me. I can see parking spaces, or notice little details very easily. If I visualise, I can do so with no difficulty whatsoever.

 Just don’t mention auditory ability to me. It’s pretty much low on my list. Bryan, my husband, on the other hand has perfect pitch, can listen to music and distinguish all the instruments and the nuances of singers, drummers and other performers. Whereas to me, it’s a nice noise, I’m not too bothered about the lyrics, I just like the overall, end result. I’m also tone-deaf which causes my husband to wince if I do sing as he can hear when I’m off-key and I can’t.

 Other people sense or feel things. They might get a feeling of unease about something, or sense happiness, or smell scent or something like that. Then you find that some people can work well with more than one sense.  There is no right or wrong, it just depends on each person’s particular focus.

I became aware of my ability to do creative visualisations when I was doing a mandala workshop with one of my friends while the rest were complete strangers.  Up until that point, I’d run workshops but used the text of a book on mandalas word for word in guiding people into creating mandala art. On this occasion, however, I was particularly concerned about one participant.  He created amazingly straight lines, so straight, in fact, I thought he’d got a ruler stashed away.  But I gradually came to realise that he couldn’t access his creative side, and was working with his intellect all the time.

In creating mandalas you need to access your intuitive, sensing ability which arises in the right side of your brain and affects your left side. As I mentioned earlier, the left side of your brain, which relates to intellect, reasoning and logic, crosses over to your right side. You could say that your right side is your “doing” side and your left side is your “receptive” side, if that makes things clearer.  The idea of contacting your intuitive side is that you sideline your intellectual side so that you can access your emotions, your feelings and your inner wisdom. So while this particular guy was creating beautiful mandalas, they had no emotional depth to them.Live, Love, Laugh

I was lying awake that night, pondering on this problem, when a voice said: “Take them into a creative visualisation and work with Mother Mary.”  I nearly levitated.  “I don’t believe in Mother Mary, I don’t do that sort of religious stuff.”  The voice persisted: “Work with Mother Mary.”  I sighed, rolled over and went to sleep quite quickly after this little exchange.

But the words remained in my head so I decided to take a punt.  I sidelined the written material I’d been using, someone else’s text, in other words, and embarked on my very first creative visualisation. As I let go and trusted the flow, the words poured out as I started: “Mother Mary ……”.  It worked a treat.  The logical guy created a mandala which veered between emotional, intuitive images on one side and logical images on the other side. It was quite amazing to see the difference and at the end of this particular session, he walked outside, burst into tears and had a good, hearty cry.  Ever after that, I simply asked for the right creative words to flow when I was doing creative visualisations, and it’s worked like a dream.

This is what I extended into my workshops in our new home.  The numbers were small as I only had a limited space but I was thoroughly enjoying myself.

I was then asked to take part in other events and one of those led me to holding my Live Your Dream course at a nearby health centre.  It was a big jump as I had between 10-16 women at these courses. Once again, I looked at all the faces gazing back expectantly at me, took a deep breath and jumped in the deep end.

 This is what I mean by the Universe leading me gently by the hand, expanding my work slowly but surely so that I got confidence in handling larger and larger groups.  It was a wonderful process and I loved my work.

The first course I held at the Women’s Centre was brilliant.  The women were bright, courageous, willing to be open and honest, and very supportive of each other.  I really remain honoured by their presence at that course as they were willing to jump into the unknown, face their challenges and take action to change their lives if they felt it appropriate.  I say “appropriate” because through the course some people got a better handle on their personal situations and were able to take action to stay in that situation but work with it in different ways which made life a lot easier for them.

The first “Live Your Dream” course was repeated a few times and it also led on to courses in “Understanding Dreams”. I also incorporated mandala work in some of the courses because it’s interesting how focusing on the voice within and accessing intuitive images can open the way for deeper understanding in a self-development context.

As my confidence in art work grew, I contacted a new age magazine in Brisbane and asked if they’d be interested in my contributing an article on mandalas. I created my first bespoke mandala for the editor which was the first time I created images outside the inner circle.

Crystal Butterfly

Crystal Butterfly

I advertised in the magazine and ended up getting regular orders for personalised mandalas.  In the beginning, I really enjoyed creating atwork for individual people.  It amazed me that I could get such different images for each person. But gradually I found that I was on a treadmill and the joy of creativity began to fade until one night I walked out and showed Bryan the latest mandala I’d drawn. He looked at it and said: “It’s mechanical, Mo, it’s got no heart to it. It’s nothing like the mandalas you’ve created previously.”

I knew he was right and had put into words what I was feeling inside – that I was forcing myself to drum up images whereas previously the whole process had flowed for me.  So I tore up that mandala, left it for a while and eventually found my inspiration returned to finalise what I decided would be my last bespoke mandala.

The relief I felt was enormous and a sure sign I’d come to the end of the road with that path.

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